Authonomy
I've been doing housecleaning tasks (writerly ones) and updated my stuff at BU, checked the Webboard at Baen's, formatted a couple of stories for Anthology Builder, and prepped a query.
And I spent some time looking over Authonomy. This is Harper Collin's equivalent of an open slush pile.
Has anyone tried this out? Any thoughts?
And I spent some time looking over Authonomy. This is Harper Collin's equivalent of an open slush pile.
Has anyone tried this out? Any thoughts?
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I think I'd be interested in participating only as a way of getting the editors to look at my work, which means that the sharing-among-peers aspect would be wasted on me. I *love* sharing with my peers, so it's not that I'm not interested in that in general; it's just that my time is so limited, and I already have LJ as a way of discovering and reading peer writing. I don't feel like I have any additional time to spend browsing through other people's works on that site.
Maybe other participants would, though, and maybe it would be a way to get more people reading my stuff, but if I'm going to expose my stuff in a non-traditional way, I'd rather be more in control of it (do it on my own). Maybe if I ever am pursuing non-traditional publishing more seriously, I'd try something like that...
Getting back to using it as a way of having Harper Collins see my work, I think I'd be better off looking for an agent who could put my work in front of an editor who has a particular interest in my genre. I suspect here, although a team of editors will eventually look at the work, there's no assuring that, if you write fantasy, it'll be seen by someone who is interested in fantasy, you know?
Still, it's interesting that they're doing it.
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This mechanism seems flawed to me, in that there's a conflict of interest--presumably most people who sign up do so because they have a project they'd like the editors to review... so you're competing, aren't you, with all the other people who are reading and commenting. If your friend eventually made it to the editors' desk, it means that at least people do give positive comments and ratings, but, yeah, seems like a lot of effort. It's one thing if it's just to read and be read, but when you add in the element of a chance at editors' interest... somehow it skews everything.
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Bad system.
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That is useful.
Back when the OWW was sponsored by Del-Rey, I was an Editor's Pick of the Month. Did not win the contract, alas. So I had the chutzpah to ask if the line, "We were drawn into the bit of this world that we got to see, and it made us want to see more," could be interpreted as a request for a full, and was told it could not.
This Harper Collins thing seems less well-organized. And it sounds like the reviews aren't that helpful.
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